![]() I've also managed to get hold of a 250Gb external SSD (USB3) (I do have internal SSD too but it's getting full) to collect all the audio on. ![]() The owner is even cool with me taking it to Spain!!!Īnd the venue are cool with it and have confirmed an open AES50 port on the Pro1 ![]() I have secured the loan FOR FREE of a DN9650 with a MADI network card AND an RME MADIface USB complete with 30m CAT5 - this will allow all the gear to be on stage and allow me to start recording at the start of the show and some BNC cable for the weekend. Multiple alloys have been employed throughout to guarantee maximum component efficiency and an improved performance-to-weight ratio. Installed fine but crashed every time I tried to open it. M32 employs a predominantly space-frame construction, with parts of the sub-frame consisting of durable and lightweight carbon fibre and aluminium. These can be phase aligned with the rest of your mix and blended in to add the feel of something actually happening in a real space, and can be brought up at top and tail of tracks to give crowd noise etc. Anyone having trouble with Midas Editors Have a show later on a PRO1 and tried using the offline editor. I'd also suggest either bringing along or asking the venue to supply ambient mics to be recorded along with the rest of your input list. These can be phase aligned with the rest of your mix and blended in to add the feel of something actually happening in a real space, and can be brought up at top and tail of tracks to give crowd noise etc. If it looks like it'll all come together, I'd go in there with a well prepared template file in your DAW of choice, and have an extra person with you to operate the recording laptop, as there's every chance that the house guy might be pressed for time to check it's all good before your show starts. Might have to do a bit of ringing around as it's quite specialist equipment and will probably only be carried by rental houses that predominantly use Midas consoles. If he's happy to do it, I'd approach a pro audio hire company local to the venue and enquire about the kit. I'd start with asking the venue if they're happy to facilitate it, as it's a bit of extra faff and configuration for the guy behind the desk to worry about, when he's likely to already be dealing with tight changeovers and all the other complexities of a live show. Pretty sure you need to connect a Klark Technik DN9650 to the AES50 port of the Midas, and the 9650 needs to be loaded with either:Ī: a Dante card which can be connected to a computer running Dante Virtual Soundcardī: a MADI card which can be connected to a computer with something like an RME Madiface in between
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |